By Mark Christiansen
This is often the one booklet within the After results marketplace to concentration completely at the construction of visible results, and is a one-stop source for someone who desires in-depth factors that demystify the area of visible results and the way they have been created, because of veteran writer Mark Christiansen's pleasant and available type. A completely packed, informative learn, this masterful consultant specializes in explaining the fundamental recommendations, positive factors, and strategies which are key to making seamless movie-quality visible results. clients who're pleased with After results will discover a valuable evaluation of After results fundamentals—managing pictures, viewing and modifying layers, animating kind, and more—so they could easy methods to paintings smarter and extra successfully. Readers of all degrees will examine center ideas for results compositing together with colour matching, keying, rotoscoping, movement monitoring, emulating the digicam, and concluding with utilizing expressions in After results, written by means of contributor and specialist Dan Ebberts. the ultimate component to the publication delves into artistic explorations, demonstrating expert results that readers will need to re-create. Readers also will locate complete insurance of all that is new and makes this model of Adobe’s results application this type of boon to video professionals of all stripes: searchable timelines and tasks, Photoshop 3D layers import, the sketch impression, Imagineer platforms’ Mocha for Adobe After results, superior workflow for cellular units, and extra. through the booklet, appealing full-color examples reveal what is attainable, whereas the significant other DVD deals demos of After results CS4, pattern photos, and software program plug-ins.
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Additional resources for Adobe After Effects CS4 Visual Effects and Compositing Studio Techniques
If you’re doing any compositing, transformation, paint/ masking, or distortion —pretty much anything beyond basic color correction—it’s best to match the Separate Fields setting to that of the footage, causing After Effects to recognize the interlace frame as two separate frames of video. 97 fps by repeating one ﬁeld every ﬁve frames. This creates a pattern that After Effects can accurately guess if there is sufﬁcient motion in the ﬁrst few frames of the footage. 976 fps comp. There are two basic types of pulldown (3:2 and 24 Pa), each with ﬁve potential initial patterns.
If you use Adobe After Effects, the goal is to help you create believable, fantastic moving images from elements that were not shot together, and to do it with the least possible effort. This ﬁrst section of the book focuses on effortlessness, offering a jump-start (if you’re new) or a refresher (if you’re already an After Effects artist) on the After Effects workﬂow. To be an outstanding compositor, you need to employ your best skills as both an artist and an engineer. As an artist, you make creative and aesthetic decisions, but if you are not also able to understand how to put those decisions together and how the process works, the artistry of your work will suffer.
4 charts the nondestructive workﬂow of After Effects: from source ﬁles to comps made up of layers, which can contain settings, all of which are represented in a project ﬁle that never touches those source ﬁles. 4 The After Effects pipeline is made up of a series of stages that are independent of one another; everywhere you see one-way arrows with hash marks, changes are pushed forward but do not affect the source, from source images to the Project to Comps to the Render Queue to final images. Import and Organize Source Getting a source ﬁle from a disk or server into After Effects is no big deal.