By Peter Guillery
This booklet extends the concept that of British vernacular structure past its conventional base of pre-modern family and commercial structure to include different structures corresponding to areas of worship, villas, hospitals, suburban semis and post-war mass housing. attractive with wider problems with social and cultural heritage, this ebook is of use to someone with an curiosity in architectural heritage. offered in an primarily chronological series, from the medieval to the post-war, assorted clean viewpoints within the chapters of this booklet make stronger knowing of the way development layout emerges not only from person supplier, that's architects, but additionally from the collective traditions of society.
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Extra info for Built from Below: British Architecture and the Vernacular
Following the Geometrical Design Path piscis. Single circles, drawn along a centre line and forming a series of consecutive vesicas, generate a simple, repetitive bay rhythm if the vesicas are bisected. The daisy wheel can be used in the same way, by multiplication along a centre line but, because its internal geometry is more complex, it offers greater geometrical potential. Because the wheel’s internal arcs intersect at the wheel’s axis and terminate at six equidistant points around its circumference it is possible to draw linkages between all seven points to generate sub-geometries.
E: the geometry superimposed on a photograph of the door. 4 Analysis of spatial values in the Ely nave floor. a: the simplest bay rhythm; b: proportioned thirds of the nave with √3 rectangles between the arcades. c: √3 rectangles form two opposite sides of hexagons within the full nave width. d: the hexagons also embody the equilateral triangulation of the Star of David. e: diamond triangulation constructed within the hexagons. The alignments share many spatial values, strongly suggesting that they arise from a common source.
The project was run by the Carpenters’ Fellowship with timber supplied from local woodland by Essex County Council. With my colleagues, William Clement Smith from Suffolk and Joel Hendry from Dartmoor, project manager and lead carpenter respectively, I ran an eight-day timber-framing course commencing from timber in the round. There were no petrol or electrically 30 Following the Geometrical Design Path driven power tools on site, and no measurements or modern-dimensioned rulers or tapes were used.