Download Belly Dance, Pilgrimage and Identity by Barbara Sellers-Young PDF

By Barbara Sellers-Young

This booklet examines the globalization of abdominal dance and the exact dancing groups that experience developed from it. The background of stomach dance has taken position in the worldwide stream of sojourners, immigrants, marketers, and travelers from the 19th to the twenty-first century. every so often, the dance is transferred to new groups in the gender normative constitution of its unique position in North Africa and the center East. stomach dance additionally has turn into a part of renowned culture’s Orientalist infused discourse. The final result of this discourse has been an international revision of the solo dances of North Africa and the center East into new genres which are nonetheless a part of the bigger abdominal dance group yet are special in shape and that means from the dance as practiced inside groups in North Africa and the center East.

Show description

Read Online or Download Belly Dance, Pilgrimage and Identity PDF

Best dance books


Greater than a quarter-century after his loss of life, Bob Fosse’s fingerprints on pop culture stay indelible. the one individual ever to win Oscar, Emmy, and Tony awards within the comparable 12 months, Fosse revolutionized approximately each side of yank leisure, without end marking Broadway and Hollywood along with his iconic sort — hat tilted, palms splayed — that might effect generations of acting artists.

The Singer and the Scribe: European Ballad Traditions and European Ballad Cultures (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 75)

The Singer and the Scribe brings jointly reports of the eu ballad from the center a while to the 20 th century via significant professionals within the box and is of curiosity to scholars of ecu literature, well known traditions and folksong. It bargains an unique view of the improvement of the ballad through concentrating on the interaction and interdependence of written and oral transmission, together with stories of contemporary singers and their repertoires and of the position of the viewers in producing a literary product which maintains to dwell in functionality.

Leonide Massine and the 20th Century Ballet

The nice Russian choreographer Leonide Massine used to be crucial determine in modernist ballet within the Nineteen Thirties, identified for works equivalent to Gaite Parisienne and The Three-Cornered Hat. His versatility and scope made his choreography the main consultant of the century. no matter what interval he portrayed, his variety flowed freely and unselfconsciously.

Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey

In 1930, dancer and choreographer Martha Graham proclaimed the arriving of "dance as an paintings of and from the United States. " Dancers comparable to Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in making a new kind of dance, and, like different modernists, they experimented with and argued over their aesthetic recommendations, to which they assigned nice which means.

Extra resources for Belly Dance, Pilgrimage and Identity

Example text

The multiple connotations to the word baladi as used by different people in different contexts leaves little space to determine with accuracy whether the designation implies a positive or a negative quality. In one sense, the concept of baladi denotes that which is not modernized, developed or refined. In another sense, it implies that which is authentic, pure and unadulterated. (2013: 22) On the stage and in films, Tahia Carioca performed a movement vocabulary that harkened back to the older baladi or village-style dance, which was a concentrated study of the mobility of the pelvis to articulate a variety of lifts, flips and shimmies within various rhythmic and melodic structures.

With Tahia as a symbol of an Egyptian aesthetic, he challenges Western versions of belly dance and by extension Western aesthetics. As such, his discussion within the framework of the discourse on dance and performance within Egypt reveals the ongoing complexities of the performing arts in Egypt and their global reception. This chapter considers this challenge within the framework of Tahia Carioca’s life and the changing history of the arts in Egypt throughout the twentieth and twenty-first centuries.

The dances provided the scenic “glue” for the complex interweaving of this narrative’s four historical periods—Babylonian (539 BC), Judaean (AD 27), French (1572) and contemporary (1914). Prominent actresses took lessons at Denishawn and dancers from the company were hired by the Hollywood studios. Fan magazines highlighted the lives of Denishawn graduates in what Studlar refers to as “highly stylized dancederived poses” (1995: 114) that often featured an oriental-style costume. Studlar argues that the culmination of these film and printed representations was the ‘vamp’.

Download PDF sample

Rated 4.31 of 5 – based on 19 votes